The pseudonymous novelist Elena Ferrante’s attraction to tv producers stays as clear as the Tyrrhenian Sea. Sun-kissed Italian areas; distinguished feminine leads, afforded larger company than the Italian media have historically afforded their girls; materials that’s genre-adjacent, however open to extra emotion than style mechanics usually enable. As HBO’s much-lauded ‘My Brilliant Friend’ — three seasons in, headed for a fourth — has demonstrated, Ferrante’s flinty prose excavates not simply time and place, however class and attitudes. That these tasks perform as deluxe cleaning soap is all the way down to the abrasive aspect of social historical past salted into their perfume and
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