FKA twigs, if not precisely clairvoyant, has a crystal-clear lens on the current. “I’ve fallen again in love with music, hazard, attempting new issues, intercourse, love, raves,” she wrote in a latest Instagram put up. No extra cautious cocooning. It’s time to stay—holy rites by earthly means. “I’m positively a really religious individual,” the artist explains by cellphone from London. “My spirituality, I believe, is only a combine tape of issues that I’ve picked up from completely different cultures and religions and religious ways in which make me really feel good and make me calm and, most significantly, help me in being the greatest individual that I may be.” The mystical realm is entrance of thoughts, with twigs solid as the face of the latest Viktor&Rolf fragrance, Good Fortune. Its bottle—New Age redux—takes after a fortune teller’s crystal ball, with a faceted amethyst cap. The artistic partnership, too, is a multilayered affair, with a marketing campaign video by Andrew Thomas Huang, backed by twigs’s latest single, “Killer.” An underlying theme is the continuous “journey of shifting ahead,” she gives, and it performs out as a dreamscape match for Dutch designers Viktor Horsting and Rolf Snoeren. “I all the time discuss Viktor&Rolf being surrealists in that means, particularly quite a bit of their style and attitudes,” twigs explains of the duo’s theatrical ensembles. She appears to summon Viktor&Rolf’s fall 2005 present, the place fashions took the runway with ruffled pillowcases behind their heads, like a military of sleepwalking princesses. Meanwhile, twigs and kiddysmile made their very own splash Wednesday night time throughout Paris Couture Week, with a livestream vogue ball in honor of the perfume. Good Fortune is the newest scent from the creators of the wildly profitable Flowerbomb, its message of female exuberance teased out over six iterations since its launch in 2005. Good Fortune, in contrast, arrives like a countermeasure to unsure occasions. At the high of the perfume is a novel distillate of fennel (supposedly linked to white magic) and gentian flower. (A backyard web site describes the latter as carrying “an ethereal daintiness as although poised for flight”—acceptable for twigs, whose pole choreography conveys a weightless ethereality.) There is jasmine grandiflorum from India for sly intoxication, together with a base of Madagascan vanilla. “We all the time wish to play with opposites,” says Snoeren, pointing to Flowerbomb’s sense of romanticism and aggression. “For us, Good Fortune is religious and glamorous—two phrases that you simply don’t all the time essentially mix.” The artist in the Good Fortune marketing campaign.
The emphasis on well-being displays the designers’ personal instincts these days. “I’m giving extra consideration to meditation, and that’s positively a optimistic new ritual in my life—if I do it,” says Horsting with amusing. “Honesty can be ritual!” To twigs—a lifelong seeker, as demonstrated in the dialog beneath—she sees the Good Fortune marketing campaign as an “alternative to blast out artwork on a wider scale,” she says, grateful for the thoughts meld with like-minded collaborators. The fragrance is a reminder to dig deep, past simply knowable truths. “I believe it’s essential for one’s ego to consider in one thing higher than oneself,” she provides. “It retains me in test. It helps me be a greater individual. If there’s one thing greater than you, whether or not it’s a god of a faith, or whether or not it’s a perception or mysticism or spirituality, then absolutely there’s one thing to try for.” Vanity Fair: As an artist who works on a number of planes—music, dance, private type—how has scent made inroads into your artistic course of?FKA twigs: I’ve all the time cherished completely different smells and how they will make you are feeling. In the starting of my profession, I used to be truly carrying quite a bit of masculine fragrances as a result of I simply wished individuals to really feel like I used to be highly effective. But as I’ve grown as an artist, I began to change into actually aware of what was in my merchandise and the integrity of the elements, which led me to begin making my very own fragrances. I made a scent with Christi [Meshell], from House of Matriarch, round “Two Weeks.” And then I had one other one particularly for Magdalene. I suppose it was a fragrance, but it surely additionally wasn’t—it was about me actually inhabiting the power of Mary Magdalene.
https://www.vanityfair.com/type/2022/07/fka-twigs-viktor-rolf-good-fortune-interview
