Julianne Moore’s makeup artist spills the secrets on achieving a perfect base and bushy brows

She’s chargeable for Julianne Moore and Margot Robbie’s glow-ups. Now CHANEL’s makeup artist, Kay Montano, talks to girl&residence about the movie star makeup suggestions that may elevate your day-after-day look instantly…(Image credit score: Kay Montano)Tip 1: Ace your base”I’ve been working with Julianne Moore since the Venice Film Festival, 4 years in the past. I spent a week with Julianne Moore at Cannes in 2019, the place we created this look” says Kay.   “The trick with basis is to know the place protection is and is not wanted. Most individuals want protection round the nostril and chin quite than round the hairline and jaw. So whether or not you utilize a brush, a sponge, or your fingertips, at all times begin at the middle of the face round the nostril, and mix outward, till there isn’t a product seen at the outer edges of the face. “Vitalumiere Aqua Foundation By Chanel has been a principal package go-to for my grown-up purchasers for a few years because it covers luminously with out heavy, usually getting older elements of many medium-to-high protection foundations. “Loose powder can also be an absolute necessity in any skilled make-up artist’s package. I solely powdered Julianne T-zone as the oiliest areas are round the nostril, brow, and chin. I like the pores and skin on the cheekbones to be dewy.” More from girl&residence.com: (Image credit score: Kay Montano)Tip 2: Make certain your concealer is designed for darkish circles not blemishes”I wished to maintain Rachel Weisz’s makeup glamorous right here, however with an understated class as her costume was ultra-feminine. Makeup could make or break an outfit with a sturdy theme, and I wished Rachel to put on the look, not the look put on her.”I used a very minimal base then hid round the eyes with a little Longwear Colour Corrector.  “Many individuals nonetheless don’t know that there are two sorts of concealer- one for the eyes, and one for blemishes.  The delicate pores and skin round the eyes is finer and drier so the concealer you utilize must be powder-free (which blemish concealer isn’t) to keep away from accentuating any wonderful traces.”I painted a semi-circle of concealer, from the inside nook to beneath Rachel’s eyes, and patted it in with my finger for a seamless end. To actually carry the eye, you too can apply a stroke of concealer from the out nook of your eye in the course of the ear.”(Image credit score: Kay Montano)Tip 3: Keep your brows tender and huge”I’ve labored with Margot Robbie since her press junket for The Wolf of Wall St.”We each agreed that for this look her make-up ought to be understated and formed effectively. The solely sturdy level was the black liner on her eye and her brows. Margot may be very specific about her brows, she loves them huge and tender, which is strictly how I like them, too, so I formed them subtly with the Chanel Brow Wax and Powder Duo. “If you like a pencil, be sure it’s laborious in order that the software is sheer and not too heat in tone. An angled tip additionally means that you’ve got the possibility of a wonderful tip to copy hair,  or a huge edge for a softer, fuller form. “Finish off by brushing the brows upward and setting them with Anastasia Beverly Hills Brow Freeze.”(Image credit score: Kay Montano)Tip 4: use a matte lip pencil, even for a shiny lips”The Long Shot London premiere was the first time I’d labored with Charlize so I acquired the probability to go for optimum influence. She was carrying a beautiful couture robe, and it was apparent to me as quickly as I noticed the costume, that I’d preserve the eyes impartial, and paint Charlize’s perfect mouth with the identical fuchsia. “Few of us have naturally ‘perfect’ pouts, although there’s a lot you are able to do to enhance the form of your lips.  Even when portray this daring lip, I nonetheless created an overview with a pure pencil first. Shine accentuates any ridges that form the lips, so use a matte pencil first to subtly tweak lips to look bigger, smaller, or extra even.”